Step into the Light         With each reading of Ernest Hemingway’s

Step into the Light         With each reading of Ernest Hemingways Hills need colour Elephants, the simple bosh becomes more complicated. Hemingway layers symbolism done verboten the completed short story. The symbols used in the stage setting argon oddly vital to the readers interpretation of the story. Many of the self-explanatory symbols, the hills, the dust coat elephant, and the terrain, permit the reader to interpret the story in divergent ways. Following the primary reading, ane assumes the couple go on their trip to capital of Spain for the abortion and soon after spaced; however, after macrocosmy readings a reader may not believe that to be the case. Hemingway begins the story by describing the surrounding grace of the paraphernalia rank, where the American and the leave off have just arrived. They were pureness in the sun and the state of matter was brown and dry (Perrine and Arp 171). afterward in the reading, Hemingway wr ites, on the new(prenominal) case, were handle of grain and trees along the banks of the Ebro(Perrine and Arp 173). The strong contrasting landscapes indicate the debate options available to dance, the girl. The station is withal located between two lines of rails in the sun (Perrine and Arp 171). The two rails symbolize the two different paths that the couple can take. First, they may withdraw to have the abortion, and bear upon with their responsibility-free lives, or they can choose to conserve the baby and allow their alliance to travel down other rail. The landscape around them reflects both possible futures (Henningfeld 2). The girl drives her premier comment on the landscape as the couple sits in the phantasma off of the train station drinking beer. From the niceness of the station, jig assists only the impotent and unacquainted(p) side associated with the abortion. They examine like sporty elephants (Perrine and Arp 171). Websters Dict ionary states that a white elephant is an In! dian elephant of a blench color that is mosttimes venerated in India, Sri Lanka, Thailand, and Myanmar, a property requiring a good deal cargon and expenditure and yielding little profit, an object no longer of entertain to its owner but of value to others, or something of little or no value (Merriam and Webster). Perhaps trip the light tempestuous toe realizes that the American sees the unborn child and the pregnant jig as white elephants. Neither is of any value to him since travelling the humanity with a pregnant woman or a nonaged child volition hinder his carefree spirit historystyle. On the other hand, the hills have a distinct hit to her; Theyre benignant hills. They dont really looking at like white elephants. I just meant the coloring of their scramble though the trees (Perrine and Arp 172). She inspects gestation in the kindred way, referring to the hills as having peel off and obvious excogitate of an expecting mothers belly. Hemingway twice writes though the trees, once when speechmaking of the coloring of the hills and succeeding(prenominal) when speaking of viewing the river. These few words make one think of the saying You cant see the lumber for the trees, which approximates that Jigs answer is right in comportment of her, but she cannot yet see it. Renner asserts readers must net profit charge not only to what is said but also to where the characters are when they say it. This side of the station, facing come out toward the hills on the same side of valley, where in that respect was no shade and no trees, has been widely associated with the barrenness and sterility of going through and through with an abortion (Renner 5). Since Jig views this from the shade, the reader can infer that she is not satisfied with this option. On the other side of the valley are ample hills with life and fresh new growth, representing the tolerate of the baby. To view this land, Jig walks across to the other side o f the train station, where she leaves the shade. She! enters the light, and distances herself from the mold of the American and enables herself, for the first time, to realize what is in her own thought (Renner 5). As she looks out beyond the river, she comments, And we could have all this (Perrine and Arp 173). At this point, Jig considers the mishap of having the child. The man asks her to come on poleside in the shade. You mustnt feel that way (Perrine and Arp 173). The American reiterates his objection to the turn in and is encouraging Jig to step back into the shaded darkness of the abortion. Jigs sadness and sarcasm infer that she believes that regardless of her pickaxe she will lose someone. If she chooses the sunlit baby, the fertile fields on the banks of the Ebro River, she will lose the American.

If she chooses the shaded American and abortion, the dry, barren side of the station, she will lose the unborn baby that grows privileged her. However, at the supplant of the story, the American takes the bags over to the other side of the station (Perrine and Arp 174). evaluator suggests that once the man steps out of the shade and into the light, he accepts the fact that Jig fates to give birth to the child. As the man moves the bags to the other side (and, incidentally, into the light). This underscores his distance from the peck who will, unlike himself, sanely board the train for which they have been delay rather than some later train, which will take them into an indefinite future. As he sits in the interior space, one wonders why he is there unless he needs to steady his jitteriness and let the judgment of i mpeding fatherhood begin to decline in (Justice 8). ! eon Jig indicates the truth most her relationship with the American and about her feelings for her unborn baby by talk about the landscapes, the American is forced to see the situation in new light, and in the long run concedes to Jigs choice. Works Cited Henningfeld, Diane Andrews. Hills Like discolor Elephants. terse Stories for         Students. 1999: The Gale Group. 10 Mar. 2002 http://www.galenet.com. Justice, Hilary K. intumesce, Well, Well: Cross-gendered Autobiography and the         Manuscript of Hills Like ashen Elephants. Hemingway Review.          ruination 98: EBSCOHost. Academic Search selected Database. 19 Mar. 2002         http://www.epnet.com/ehost/magnolia/login.html Perrine, Laurence, and Thomas R. Arp. Literature Structure, Sound, and Sense. Ed.         Stephen T. Jorden, Helen Triller and Steve Welch. NY: HBJ, 1993. 171-174. Renner, Stanley. abject to the gir ls side of Hills Like White Elephants.         Hemingway Review. Fall 95: EBSCOHost. Academic Search Elite         Database. 19 Mar. 2002 http://www.epnet.com/ehost/magnolia/login.html. White Elephant. Merriam-Websters on-line Language Center. 10 Mar. 2002         http://www.m-w.com/cgi-bin/ dictionary If you want to get a full essay, order it on our website: BestEssayCheap.com

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